Festival of the Arts BOCA
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2016 Festival Begins








Cameron Carpenter

Cameron Carpenter is “one of the rare musicians who changes the game of his instrument… He is a smasher of cultural and classical music taboos.  He is technically the most accomplished organist I have ever witnessed… And most important of all, the most musical.” (The Los Angeles Times)

A virtuoso composer-performer unique among keyboardists, Cameron’s approach to the organ is smashing the stereotypes of organists and organ music while generating a level of acclaim, exposure, and controversy unprecedented for an organist. His repertoire – from the complete works of J. S. Bach and Cesar Franck, to his hundreds of transcriptions of non-organ works, his original compositions, and his collaborations with jazz and pop artists – is perhaps the largest and most diverse of any organist. He is the first organist ever nominated for a GRAMMY® Award for a solo album.

As a keyboard prodigy, he performed Bach’s Well-Tempered Clavier at age 11 before joining the American Boychoir School in 1992 as a boy soprano. During his four years of high school studies at The North Carolina School of the Arts, he made his first studies in orchestration and orchestral composition, and transcribed for the organ more than 100 major works, including Gustav Mahler’s complete Symphony No. 5. Cameron continued composing after moving to New York City in 2000 to attend The Juilliard School. While at the School he composed art songs; the symphonic poem Child of Baghdad (2003) for orchestra, chorus and Ondes Martenot; his first substantial works for solo organ; and numerous organ arrangements of piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann, and others. Cameron received a Master’s Degree from The Juilliard School in New York in 2006.

The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tschaikowsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the GRAMMY®-nominated Revolutionary (2008), was followed in 2010 by the critically acclaimed full length DVD and CD Cameron Live!  Edition Peters became his publisher in 2010, beginning the ongoing release of his original works with Aria, Op. 1 (2010). His first major work for organ and orchestra, The Scandal, Op. 3, was commissioned by the Cologne Philharmonie (KölnMusic GmbH) and premiered on New Year’s Day 2011 by the Deutsche Kammerphilharmonie under the direction of Alexander Shelley. Of Cameron the composer, DIE WELT’s Manuel Brug writes: “Carpenter… is proving himself to be a clever eclecticist, who understands to entertain with much finesse, and admits with a wink that he is ‘annoyed by intellectual music’”.

Cameron is one of the only performing artists to make a practice of meeting his audience in person before his performances – often spending over an hour before each concert shaking hands and signing autographs on the floor of a concert venue. With combined millions of hits on YouTube and numerous television, radio and press features including CBS Sunday Morning, BBC Radio 3, ARD, ZDF, NDR Kultur, The New York Times, The New Yorker, The Wall Street Journal and many others, he is the world’s most visible organist.

“To say that Cameron Carpenter is a virtuoso is to say nothing. He is an exorbitant
virtuoso, the Vladimir Horowitz of the organ. In his playing there is the wild passion
of virtuosos of the past, who destroyed borders of genres and broadened repertoire
for their instruments. What he lacks, however, is cheap populism.”
KOMMERSANT (Saint Petersburg, Russia)

“The Maverick Organist… he is a player with extraordinarily glib fingers and Astairelike
footwork… a first-rate talent with a sense of how phrases move.”

“No other musician of Carpenter’s generation has more adeptly fused shrewd showmanship, dazzling technique and profound thinking about his instrument and his
place in the musical cosmos…”

Website: www.cameroncarpenter.com
Video: http://www.youtube.com/watch?feature=player_embedded&v=T3ApgF2s3LQ

Photo Credits: Columbia Artists Management


Friday, March 4th- 7:30 PM
Film with Live Orchestra: Raiders of the Lost Ark (Florida Premiere)
Henry Mancini Institute Orchestra from the University of Miami Frost School of Music &, - Constantine Kitsopoulos, conductor
Mizner Park Amphitheater

Saturday, March 5th - 7:30 PM
Performance: Mozart's Magic Flute
Semi-staged performance in English with The Symphonia, Boca Raton & Constantine Kitsopoulos, Conductor
Mizner Park Amphitheater

Sunday, March 6th - 7:00 PM
Concert: Jazz Trumpet Legend Herb Alpert and Grammy Award Winning Singer Lani Hall
Mizner Park Amphitheater

Monday, March 7th - 7:00 PM
Authors & Ideas: Journalist & Author Fareed Zakaria, Washington Post Columnist and CNN Host
Topic: Global Trends & Hot Spots: The Next Security Crisis
Mizner Park Amphitheater

Tuesday, March 8th, 7:00 PM
Authors & Ideas: Dr. Robert Sapolsky, Author & Neurobiologist, MacArthur Fellowship Genius
Topic: The Biology of Good and Evil
Cultural Arts Center

Wednesday, March 9th - 4:00 PM
Authors & Ideas: Laila Lalami, Pulitzer Prize finalist for The Moor’s Account
Cultural Arts Center

Friday, March 11th - 7:30 PM
Concert: Joey Alexander Trio with The Symphonia & Constantine Kitsopoulos, conductor
Mizner Park Amphitheater

Saturday , March 12th - 4:00 PM
Authors & Ideas: Dr. Jay Winter
Author, Professor of History and Renowned expert on World War I and II, The Enduring Legacy of World War I and its Impact on the 21st Century
Cultural Arts Center

Saturday , March 12th - 7:30 PM
Performance: Cirque de la Symphonie
The Symphonia with Constantine Kitsopoulos, conductor
Mizner Park Amphitheater

Wednesday, March 16th - 7:00 PM
Concert: Vivaldi’s Four Seasons
Joshua Bell - Violin Superstar and Conductor with the Lynn Philharmonia Orchestra
Narrator: Jan McArt
Mizner Park Amphitheater